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Nishiguchi Lab
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A lab that traces how the Grimms' fairy tales reached Japan through their illustrations.

AboutAbout the lab
The journey of fairy tales, traced through illustrations.
The Nishiguchi Lab studies German literature, focusing on the Grimms' fairy tales.
In recent years, the lab has been particularly interested in how the Grimms' fairy tales have been received in Japan, using illustrations as a clue.
On the early reception in Japan, the lab focused on how illustrations depicted the figures, either in kimono or in European dress, and compiled the results in a German-language academic book.
At the Faculty of Science and Engineering, the professor teaches German as well as courses such as Introduction to German-Language Culture.
Key terms
- Grimms' fairy tales
- A collection of folktales compiled by the Brothers Grimm in Germany in the early 19th century
- Reception
- The process by which a work is carried to another era or country, read there, and reworked
- Illustration
- A picture that accompanies the text of a book
NewsLab news
Held an information session for entering the Social and Cultural Studies course (a lab visit is required to enter)
Published the book Kimono oder europäische Kleidung?
Professor Nishiguchi received the 1st Waseda University Academic Book Publication Award
ResearchResearch themes
Specializing in German literature, the lab focuses on the Grimms' fairy tales. In recent years it has particularly sought to clarify, through illustrations, how the Grimms' fairy tales have been received in Japan.
View More ↗MembersFaculty
- ProfessorHiroko Nishiguchi
VoicesStudent voices
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Report an errorAbout the images
The top and research theme images are illustrative and were not taken at the lab. They are cropped from Wikimedia Commons images. Cropped CC BY-SA images are provided under the same CC BY-SA license as the original (version shown on each line).
- Top image: “Alsfeld Kaplaneigasse to the east” Ymblanter / CC BY-SA 4.0 (cropped)
- Meiji-Era Japanese Translations and Illustrations: “MET DP143081” Takeuchi Keishū / Public domain (cropped)
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