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作曲＝指揮研究室
Showing the original Japanese · View translation
音と人の本質を問い、新しい音楽の創作と上演を研究する研究室。
AboutAbout the lab
音と人の本質から、創る。
作曲＝指揮研究室は、
作曲家・
一次史料の
ヒトの
Key terms
- 倍音
- 楽器や声の
音に 含まれる、 もとの 音の 整数倍の 高さの 音。 音色を 決める 要素に なる - 非線形ダイナミクス
- 原因と
結果が 比例しない、 複雑に 変化する しくみを 扱う 数学の 考え方 - マインドコントロール
- 情報の
与え方などで、 本人が 気づかないうちに 人の 考えや 行動を 操る こと
ResearchResearch themes
ヒトの
*Illustrative image動力学的な音楽作り
倍音の
*Illustrative image聴覚の場から考える空間音楽
音源の
*Illustrative image祝祭の時空間分析
東大寺二月堂や
*Illustrative imageメディア表現の論理と倫理
ナチスドイツや
MembersFaculty
- Professor伊東 乾Publications ↗
VoicesStudent voices
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Report an errorAbout the images
The top and research theme images are illustrative and were not taken at the lab. They are cropped from Wikimedia Commons images. Cropped CC BY-SA images are provided under the same CC BY-SA license as the original (version shown on each line).
- Top image: “Silver conductor baton in it's case” Radina78 / CC BY-SA 4.0 (cropped)
- 動力学的な
音楽作り: “Spectrogram of Bach's Chorales for Organ” dobroide / CC BY-SA 2.0 (cropped) - 聴覚の
場から 考える 空間音楽: “Festspielhaus Bayreuth - Gebäudeinneres 024” DALIBRI / CC BY-SA 4.0 (cropped) - 祝祭の
時空間分析: “Nigatsu-dō Todaiji HDSR IMG 3710” Hyppolyte de Saint-Rambert / CC BY-SA 4.0 (cropped) - メディア表現の
論理と 倫理: “Vintage Atwater Kent Breadboard Radio, Circa 1920s ( )” Joe Haupt from USA / CC BY-SA 2.0 (cropped)
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