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Image Studies Lab
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A lab that examines images in photography and contemporary art through the lenses of otherness and temporality.

AboutAbout the lab
Reading images in photography and contemporary art through otherness and temporality
Associate Professor Madoka Yuki studies the history and theory of photography, image studies, and visual culture studies.
The professor lists otherness, global art, representations of death, and temporality as research themes.
Using the Kyushu University Museum as a case, the lab also works on theoretical research and exhibition practice concerning exhibitions from an art perspective (art intervention).
The professor teaches courses and supervises graduation, master's, and doctoral research in the Future Vision Design Course of the School of Design and the Future Symbiotic Design Course of the Graduate School of Design.
Key terms
- Art intervention
- Exhibitions from an art perspective held in natural history museums. A method of making a museum a place of knowledge that spans science, art, and society.
- Vanitas
- An artistic theme that expresses the fleetingness and transience of life. It has established conventional motifs in 17th-century Dutch painting.
ResearchResearch themes
This lab examines images in photography and contemporary art from angles such as otherness and temporality. Its fields are image studies, the history and theory of photography, and visual culture studies.
*Illustrative imageHistory and Theory of Photography, and Japanese Photography
The lab studies the history and theory of photography. In papers and lectures, it also addresses how Japanese photography has been viewed and discussed abroad, in countries such as Germany.
*Illustrative imageRepresentations of Death and Vanitas
The lab investigates how vanitas, which expresses the fleetingness of life, is represented in contemporary art and photography. It also pays attention to the temporality of photography as a medium, as seen in photographs of flowers.
*Illustrative imageArt Intervention in University Museums
Using the Kyushu University Museum as an example, the lab brings the perspectives of art history and art studies into a university museum. It explores ways to discover and make visible the value of specimen collections through exhibitions.
MembersFaculty
- Associate ProfessorMadoka Yuki
VoicesStudent voices
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Report an errorAbout the images
The top and research theme images are illustrative and were not taken at the lab. They are cropped from Wikimedia Commons images. Cropped CC BY-SA images are provided under the same CC BY-SA license as the original (version shown on each line).
- Top image: “Adams The Tetons and the Snake River” Ansel Adams / Public domain (cropped)
- History and Theory of Photography, and Japanese Photography: “+Фото збільшувачі” Aniskov / CC BY-SA 4.0 (cropped)
- Representations of Death and Vanitas: “Godfriedt van Bochoutt (Attr.) - Vanitas still life with a skull, a globe and a bouquet of flowers” Attributed to Godfriedt van Bochoutt / Public domain (cropped)
- Art Intervention in University Museums: “WTF Marlene Oostryck Maritime Museum display cases 1” Marlene Oostryck (Wiki Takes Fremantle participant) / CC BY 3.0 (cropped)
- Related lab (Image Studies Lab): “Boulevard du Temple by Daguerre” Louis Daguerre / Public domain (cropped)
- Related lab (Cultural Heritage Studies Lab): “St Mary's church, Puddletown - the restoration of the Athelhampton Chantry (2) - geograph.org.uk - 3258652” Mike Searle / CC BY-SA 2.0 (cropped)
- Related lab (Cultural Heritage Studies Lab): “North Nave of the Church of Saint Paulinus, Crayford (Stained-Glass Window - 01)” Doyle of London / CC BY-SA 4.0 (cropped)
- Related lab (Color and Vision Science Lab): “Color-palette-dynamic-color” Vijay Verma / CC0 (cropped)
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